museo

$ ls

total 8

drwxr-xr-x..
-rw-r--r--cutaway-model-front.webp
-rw-r--r--exploded-axonometric.webp
-rw-r--r--plan-ground-floor.webp
-rw-r--r--plan-upper-floor.webp
-rw-r--r--section.webp
-rw-r--r--cutaway-model-angle.webp
-rw-r--r--site-plan.webp
-rw-r--r--street-linocut.webp

tonhalle museo is a speculative design at the intersection of architecture, sound, and theory. two seemingly contradictory programmes — concert hall and museum — meet within a single building. this convergence is not harmonised but deliberately sharpened.

the design is based on an auditory analysis: a five-minute sound sequence served as the starting point for developing the spatial structure. the focus was not on function or form, but on translating sound into spatial dimensions. volume, rhythm, density, and silence were translated into spatial proportions, transitions, and materiality.

the result is a built fragment, a deliberately incomplete thought — a spatial body that does not seek to explain but to be experienced. tonhalle museo understands itself as an attempt to think architecture from listening.

/studies/ost/ba/semester_01

2022